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Notable solo scores include “Only The Brave” (2017), the landmark rap biopic “Straight Outta Compton” (2015), the second and third installments of the “Divergent” series, “Insurgent” (2015) and “Allegiant” (2016) “Earth to Echo” (2014) USA’s “Unsolved” (2018) Amazon’s “Jean­Claude Van Johnson” (2017) ABC’s “Quantico” (2016­17) Freeform’s “Dead of Summer” (2016) EA’s video game “Need for Speed Payback” (2017) and Ubisoft’s video game “The Crew” (2014). For 2017’s “The Greatest Showman,” Trapanese worked alongside Pasek & Paul and John Debney, producing songs and co­ composing the score. That same year, he helped with arrangements on a handful of tracks for M83’s breakthrough hit “Hurry Up, We’re Dreaming,” which led to the pair’s collaboration on the 2013 Tom Cruise sci­fi epic “Oblivion”. Trapanese followed that success by creating a score with Mike Shinoda of Linkin Park for the American release of the 2011 Indonesian martial arts film “The Raid: Redemption” (he would continue without Shinoda in 2014 with “The Raid 2”).

His first major break came in 2010 when he worked with Daft Punk on the sweeping digital soundtrack to Disney’s “Tron” reboot/sequel. As a composer, arranger, and producer for movie, television, theater, and video game music, he has collaborated with a number of mainstream musical acts. Joseph Trapanese is best known for his sleek score work for blockbuster films like “Tron: Legacy,” “Straight Outta Compton,” “Oblivion,” and the “Raid” series. Click here to learn more and get your Topo Mat. The Topo is super comfortable, an awesome conversation starter, and it’s also scientifically proven to help you move more throughout the day which helps reduce discomfort and also increase your focus and productivity. This episode is made possible for you by Ergodriven, the makers of the Topo Mat, my #1 recommendation for anyone who stands at their workstation. Joe Trapanese’s IMDb Page Our Generous Sponsors: “Talking about music is like dancing about architecture”.

#Download tron legacy soundtrack how to#

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Keeping your cool in the reputation-driven world of professional composing.“You won’t get hired until you are the solution to someone’s problem.”.Establishing relationships rather than networking for jobs.It’s about who you know, so start meeting people.If you have ever wondered how composers approach their work, or more importantly if you’re an editor like me and you want to know some cool tips for working with composers, this is an incredibly useful and insightful interview. In addition, Joe and I also do a deep dive into the creative process of collaborating with composers. In this interview Joe and I break down his path from a kid in New Jersey to moving out to Los Angeles and how he climbed from nowhere to the top of his profession in record time.

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Rarely is there an episode of TV where I don’t use a track from The Raid if I’m working with a fight scene or a suspense sequence.

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Joe Trapanese is a friend, colleague, and film composer who has worked on some of the coolest project and film scores of the last 5-10 years including The Greatest Showman, Jean Claude Van Johnson, Straight Outta Compton, Tron: Legacy, Oblivion, Only the Brave, Unsolved: The Murders of Tupac and the Notorious B.I.G., and The Raid series (which is my #1 secret weapon as a film editor).